刍议自传作品的著作权归属—以《地狱归来》案为视角
A Rustic Opinion of the Ownership of Copyright of Autobiography—From the Perspective of “Return to the Hell” Case
摘要:
在当事人事前没有约定的情况下,当前的司法解释将自传作品著作权归于特定人。但是由于作品创作方式的不同,著作权归属情况不应该是单一的。根据撰写者对自传作品不同的参与程度,自传作品著作权归属大体可以分为三类:特定人独自享有著作权、特定人和撰写者共同拥有著作权、撰写者独自拥有著作权。为了解决自传作品著作权归属时面临的问题,笔者也从三个方面提出了建议:完善司法解释、事前形成约定、注重对证据的保留。
Abstract:
Under the condition that parties do not come to an agreement in advance, the present judicial in-terpretation owns the ownership of copyright to biographical master. But according to the differ-ences of the creating methods of autobiographies, the conditions of the ownership of autobiogra-phies should not be single. From the perspective of the as-clepius’s different participation condi-tions, the ownership of copyright can be divided into three categories: persona certa has the copy-right alone, persona certa and as-clepius have the copyright together, as-clepius has the copyright alone. To solve the problem of ownership of copyright of autobiography, the writer puts forward suggestions from three aspects: improving the judicial interpretation, reaching an agreement in advance and paying attention to the retention of the evidence.
参考文献
|
[1]
|
蒋志培. 自传体文学作品著作权归属之原则[J]. 人民司法, 1993(11): 16-17.
|
|
[2]
|
姚洪军. 纪实文学作品著作权归属问题研究[J]. 中国社会科学院研究生院学报, 2007(5): 89-94.
|
|
[3]
|
王嘉蕾, 刘春茂. 自传体作品的著作权归属研究[J]. 中国版权, 2005:19-22.
|
|
[4]
|
邰利琪. 自传体作品著作权的归属[N]. 法制日报, 2005-04-28.
|
|
[5]
|
姚峥嵘. 试析自传性文学作品著作权的归属[J]. 学海, 2005(1): 182-185.
|
|
[6]
|
王嘉蕾, 刘春茂. 自传作品的著作权属于谁?[N]. 中国艺术报, 2006-12-01.
|
|
[7]
|
姚思思. 论自传体作品的著作权归属[J]. 消费导刊, 2008(17): 144.
|