从菲利普⋅沃伦诗歌看禅宗“缘起”思想在美国现当代诗歌中的体现
Philip Whalen’s Zen Poems and the Pratītya-Samutpāda Doctrine of Zen Buddhism in Modern American Poetry
DOI: 10.12677/ARL.2018.73006, PDF,    科研立项经费支持
作者: 盛 钰:北京外国语大学,英语学院,北京
关键词: 禅宗缘起美国现当代诗歌菲利普?沃伦Zen Pratītya-Samutpāda Modern and Contemporary American Poetry Philip Whalen
摘要: 《大乘入楞伽经》作为禅宗初祖达摩祖师传灯印心的般若经典,为禅宗在中国的发展奠定了坚实的基础,而其中的“缘起”观更是重要的核心思想之一;1932年铃木大拙英译《楞伽经》的出版,也将“缘起性空”的禅宗思想带入了美国文坛,影响了一代代的美国禅宗佛教诗人。在此基础上,本文将以美国著名禅宗诗人菲利普•沃伦(Philip Whalen, 1923~2002)的诗歌作品为例,通过以下两部分:1) 美国诗坛与禅宗佛法的交汇联系;2) 沃伦诗歌美学中的“世法缘起”,探讨这深刻的佛学思想所赋予美国现当代禅佛诗歌的独特魅力,也从中进一步思考禅宗佛教的海外传播及其深远的现代意义。
Abstract: The Laṅkāvatāra Sūtra, prominent Mahayana Buddhist sutra and the core Buddhist classic of Bo-dhidharma’s teachings and practice, helped to pave the way of the spreading and development of Chan Buddhism in Ancient China. The Pratītya-Samutpā doctrine, commonly translated as “Condi-tioned Causality”, is its fundamental tenet. With the publication of Lankavatara Sutra as well as its English version in 1932, Japanese Zen Roshi D.T. Suzuki propagated the idea of “Conditioned Cau-sality” into the literary field of modern American poetry. The present article, with the analysis of Philip Whalen’s Buddhist poems, hopes to demonstrate Zen philosophy and its unique influence on American literature from 1) the interaction of American poetry and Zen Buddhist philosophy; and 2) the principle of “Conditioned Causality in the universal world” in Philip Whalen’s poetry aesthetics. Moreover, it rethinks about the overseas dissemination of Chinese Chan and its far-reaching modern value.
文章引用:盛钰. 从菲利普⋅沃伦诗歌看禅宗“缘起”思想在美国现当代诗歌中的体现[J]. 艺术研究快报, 2018, 7(3): 52-60. https://doi.org/10.12677/ARL.2018.73006

参考文献

[1] Fields, R. (1981) How the Swans Came to the Lake: A Narrative History of Buddhism in America. Shambhala Publi-cations, Boston, 205.
[2] 宗白华. 艺境[M]. 北京: 北京大学出版社, 1997: 79.
[3] 葛兆光. 禅宗与中国文化[M]. 上海: 上海人民出版社, 1986: 7.
[4] Prothero, S. (1995) Introduction. In: Tonkinson, C., Ed., Big Sky Mind: Buddhism and the Beat Generation, Riverhead Books, New York, 3.
[5] 钱兆明. 史蒂文斯早期诗歌中的禅宗意识[J]. 外国文学评论, 2015(1): 58-70.
[6] 赖永海. 缘起论是佛法的理论基石[J]. 社会科学战线, 2003(5): 50-52.
[7] Whalen, P., Litz, W. and MacGowan, C. (1986) The Collected Poems of William Carlos Williams (Volume I). New Directions Publishing Corporation, New York.
[8] 铃木大拙, 著. 禅与生活[M]. 刘大悲, 译. 上海: 上海三联书店, 2013: 4.
[9] 铃木大拙, 著. 悟性的提升[M]. 孟祥森, 译. 上海: 上海三联书店, 2013: 161.
[10] 黑格尔, 著. 美学(第一卷) [M]. 朱光潜, 译. 北京: 商务印书馆, 1979: 160.
[11] 铃木大拙. 铃木大拙说禅[M]. 张石, 译. 杭州: 浙江大学出版社, 2013: 100.
[12] 麻天祥. 中国禅宗思想发展史[M]. 武汉: 武汉大学出版社, 2007: 34.
[13] 亨利•戴维•梭罗, 著. 徐迟, 译. 瓦尔登湖[M]. 上海: 上海译文出版社, 2009: 147.
[14] Charters, A. (1983) The Beats, Literary Bohemians in Postwar America. Gale Research Co., Detroit, 558.