刍议歌曲即兴伴奏前的分析与设计—以歌曲《共和国之恋》为例
Discussing the Analysis and Design before Impromptu Accompaniment of Vocal—A Case Study from “Love of the Republic”
摘要:
即兴伴奏是综合性非常强的艺术展演过程。其中不仅融合了钢琴弹奏技术、和声与曲式等音乐理论知识,同时还需要与歌者的默契配合。本文通过为歌曲即兴伴奏前准备步骤的分析与论述,探讨了即兴伴奏并非无章法和无层次的即兴乱弹。只有不断的练习、积累和总结,才能有丰富的伴奏经验,在表演过程中才能充分展现渲染歌曲旋律的能力,让歌者得到超常的发挥,使声乐作品得到艺术提升和更具感染力。
Abstract:
Impromptu accompaniment is a very comprehensive artistic performance process, it not only integrates piano playing technology, harmony music and musical theory knowledge, but also needs singers tacit cooperation. Through the analysis and discussion of the preparation steps before the impromptu accompaniment of the song, this paper discusses that the impromptu ac-companiment is not strum without composition and gradation. Only by constantly practicing, accumulating and summing up can singers have rich accompaniment experience, fully show the ability to render the melody of songs in the performance process, let singers outdo themselves, making vocal works more infectious.
参考文献
|
[1]
|
刘顺. 浅析高师钢琴教材的选择与应用——以车尔尼练习曲Op.821为例[J]. 艺术教育, 2015(12): 195-196.
|
|
[2]
|
张佳林. 钢琴演奏与伴奏技术[M]. 北京: 中央音乐学院出版社, 2006.
|
|
[3]
|
辛笛. 钢琴即兴伴奏分级教程[M]. 北京: 人民音乐出版社, 2008.
|