《声律发蒙》与《声律启蒙》比较研究初探

Preliminary Attempt of Comparative Study on “Sheng Lv Fa Meng” and “Sheng Lv Qi Meng”

摘要: 本文通过对元祝明撰，潘瑛续，明刘节校补，明万历二十一年涂时相重刻版《声律发蒙》的文本形成源流探究，总结出其与车万育《声律启蒙》通行本的关系，并对《声律发蒙》的地位予以揭示。通过对两部书的文本逐节比较，最后从对偶、典故、教化意义、是否出韵四个方面得出两个文本各自的特点，并进行举例说明。

Abstract: This paper probes into the origin and development of the text of “Sheng Lv Fa Meng”, which is written by Ming Zhu of Yuan Dynasty, continued by Ying Pan, edited by Jie Liu of Ming Dynasty, and re-engraved by Shixiang Tu in 1593, and sums up the relationship between it and the Current ver-sion of “Sheng Lv Qi Meng” by Wanyu Che. This paper also reveals the status of “Sheng Lv Fa Meng”. By comparing the two texts section by section, finally from the following four aspects of the two texts : alliterating word, allusions, enlightenment meaning, whether to rhyme or not, come to con-clusion of their trait and give examples to explanation.