海德格尔关于艺术作品的物之思

Heidegger’s Material Thoughts on the Works of Art

摘要: 作为存在主义的大哲学家，海德格尔究其一生都在追问存在问题。而对于物之概念的思考，在其存在之思中始终占据着一席重要之地。海德格尔有着前后两个哲学时期，与之相伴随的是其关于物之思的三重变奏。而海德格尔关于艺术作品之为物的思考，正处于承前启后的一个中间阶段。他从传统的物之概念发问，从中寻由物之为物的本质因素，最终借艺术作品的物性建立一个世界和置造一个大地，使两者之澄明与遮蔽的对抗构造了一个真理的场域，让存在者之本质存在得以显现，人类也得以诗意地栖居于这片大地之上。

Abstract: As a great philosopher of existentialism, Heidegger has asked about existing problems all his life. The thinking about the concept of things always occupies an important place in the thinking of its existence. Heidegger had two philosophical periods before and after, accompanied by its trios on the thought of things. Heidegger’s thinking about works of art is in an intermediate stage. He asked from the traditional concept of things, from the essence of things, finally by the material nature of art to establish a world and build a earth, made the clarity and the confrontation construct a hidden field of truth, and let the essence of the existence appear. Human beings can also poetically live on the earth.