互联网+背景下艺术品电商网络营销模式研究——以微拍堂为例
Research on Network Marketing Mode of Art E-Commerce under the Background of Internet+—Taking Micro-Paitang for Example
DOI: 10.12677/ASS.2022.112058, PDF,    科研立项经费支持
作者: 王 晴, 任雨欣, 谢雨欣, 周琦轶, 邹莎华, 李英男, 张志鑫:天津商业大学,天津
关键词: 艺术品电商微拍堂营销模式Artwork E-Commerce Micro-Paitang Marketing Model
摘要: 随着一带一路与文化输出的深入,国家对传统文化的传承与发展越加重视。但是随着的飞速发展,近年来线下艺术品市场低迷,导致许多画廊关闭,动辄几千几万一平尺的艺术作品无人问津,有价无市。而随着电子商务发展的迅速,人们普遍更侧重于在网上消费,同时电子商务的消费模式也必将成为未来的发展趋势。本文主要以微拍堂为例,针对于互联网+背景下艺术品电商网络营销模式研究。
Abstract: With the deepening of the Belt and Road Initiative and the cultural export, the state attaches more importance to the inheritance and development of traditional culture. But with its rapid development, as a result, many galleries have closed, and thousands of one-square-foot works of art have gone unsold. With the rapid development of e-commerce, people generally focus more on online consumption, while the consumption pattern of e-commerce will become the future development trend. This paper mainly takes Micro-Paitang as an example to study the network marketing mode of art e-commerce under the background of Internet+.
文章引用:王晴, 任雨欣, 谢雨欣, 周琦轶, 邹莎华, 李英男, 张志鑫. 互联网+背景下艺术品电商网络营销模式研究——以微拍堂为例[J]. 社会科学前沿, 2022, 11(2): 398-402. https://doi.org/10.12677/ASS.2022.112058

参考文献

[1] 夏爽. 电商直播带货营销模式问题及对策研究[J]. 物流工程与管理, 2021, 43(6): 76-79.
[2] 余小艳. 社交媒体营销的理论基础和传播策略[J]. 现代经济信息, 2017(5): 408.
[3] 王聪. 艺术品拍卖模式的时空变革——“微拍堂”中的国画拍卖解析[J]. 美术大观, 2019(11): 61-63.