汉语方言韵律与节奏类型学研究——以声调为支点
Typological Research on Prosody and Rhythm of Chinese Dialects—Pivoting on Tone
DOI: 10.12677/ML.2022.103065, PDF,    科研立项经费支持
作者: 李 桠：浙江海洋大学外国语学院，浙江 舟山
关键词: 韵律类型；节奏类型；声调；韵律结构；吴语；Prosodic Typology； Rhythmic Class； Tone； Prosodic Structure； Wu Chinese
摘要: 言语韵律与节奏是语流在最高层面上的体现，但由于其牵涉的韵律层级多而容易受到各种语言或非语言因素的影响，因而一直难以对其进行归类。对于具有复杂声调系统的汉语方言来说，更是如此。通过回顾近十几年来国内外有关韵律与节奏类型学的理论与实证研究，本文认为汉语不同方言之间以及同一方言的不同子方言之间因声调各异的缘故在韵律与节奏模式上也大相径庭，于是以普通话和三种吴方言为例提出以声调为支点的两级核心韵律结构，试图为不同汉语方言的韵律与节奏模式适当地归类。
Abstract: Speech prosody and rhythm reflect speech flow at its highest level. However, their involvement in multiple prosodic hierarchies subjects them to various linguistic and non-linguistic influences, hence always being difficult to classify them. It is especially true when it comes to Chinese dialects with complicated tone systems. By reviewing theoretical and experimental research on prosody and rhythm over decades and across home and abroad, the present paper assumes that prosodic and rhythmic patterns vary greatly with tonal differences not only among different Chinese dialects but also among different sub-dialects of the same dialect, and for the purpose of classifying them in a proper way, it uses Mandarin Chinese and three sub-dialects of Wu Chinese as an example to propose a two-layer core prosodic structure pivoting on tone.
文章引用：李桠. 汉语方言韵律与节奏类型学研究——以声调为支点[J]. 现代语言学, 2022, 10(3): 518-527. https://doi.org/10.12677/ML.2022.103065

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