试论色彩在电影《江湖儿女》中的作用

On the Role of Color in the Film “Ash Is Purest White”

摘要: 贾樟柯作为中国第六代导演，整体的电影以写实为主，将时代变迁、人物命运有机结合。贾樟柯也善于用色彩表现他的电影，在《江湖儿女》中，贾樟柯在段落叙事的基础上，融入色彩元素，将每一种色彩的作用发挥到极致，为观众带来了一场别样的色彩体验。

Abstract: As the sixth generation of Chinese directors, Jia Zhangke’s films are mainly realistic, combining the changes of The Times and the fate of the characters. Jia Zhangke is also good at using color to express his films. In “Ash Is Purest White”, Jia zhangke integrates color elements on the basis of paragraph narration, and gives full play to the role of each color, bringing a different color experience to the audience.