神话人物的五伦关系在电影改编中的选择性演绎

The Selective Interpretation of the Five-Constant Relationship of Mythological Characters in the Film Adaptation

摘要: 五伦关系是对中国传统社会关系的概括，也是对儒家核心“仁”之理念的体现。而神话传说是人们对五伦关系及纲常秩序之态度的高度化凝练。当电影艺术介入到神话传说的演绎中，便对人物的精神品格和人伦关系进行了选择性再现。进入新世纪后，社会关系发生新的变化，电影中的五伦关系也随之发生迁移，神话传说被改写与重构，并在人物的身上进一步凸显了《中庸》中“天命之谓性，率性之谓道”的哲学意蕴。

Abstract: The five-constant relationship is the generalization of the traditional social relationship in China, and also the embodiment of the core idea of benevolence in Confucian-ism. Chinese mythology greatly reflects the attitudes of people toward the five-constant relationship and the hierarchical order in a condensed way. When film-making is involved in the artistic inter-pretation of myths and legends, the characters’ spiritual nature and relationships are selectively reproduced. As the 21st century began, the social relationships have changed, the five-constant re-lationship in the film has also changed, the myths and legends have been rewritten and recon-structed, and the philosophical implication of “What heaven has conferred is called the nature, in accordance with this nature is called the path” in The Doctrine of the Mean has been further high-lighted on the characters.