从拉康的镜像理论浅析电影——《花束般的恋爱》
An Analysis of Film from Lacan’s Mirror Theory—“A Bouquet of Love”
摘要: 电影《花束般的恋爱》是近几年来较为火爆的爱情电影,这部电影的叙述角度较为新奇,使得观众能够从电影中看到自己真实的生活。我们所处人生阶段的变化,会让我们的感情观、价值观以及人生观也发生改变。男女主由于各自进入了不同的人生阶段,从最初的灵魂伴侣到最后成为了内耗彼此的人。本文从拉康的镜像理论出发,分析了两人之间存在的镜像关系。通过两人分手的结局,深层探讨了两个人在成长过程中所受到他者的影响,阐述了他者与自我之间的关系。
Abstract:
The film “Bouquet of Love” is a relatively popular love film in recent years, the narrative Angle of the film is relatively novel, so the audience can see their real life from the film. Changes in the stage of life we are in can cause our feelings, values and outlook on life to change as well. The hero and heroine, as each enter a different stage of life, from the initial soul mates to finally become internal conflicts with each other. Based on Lacan’s mirror theory, this paper analyzes the mirror relationship between two people. Through the ending of their breakup, this paper deeply discusses the influence of others on the two people in the process of growing up and expounds on the relationship between others and self.
参考文献
|
[1]
|
曲妍. 皮兰德娄戏剧中的“镜像迷宫”[D]: [硕士学位论文]. 长春: 东北师范大学, 2017.
|
|
[2]
|
吴琼. 阅读你的症状[M]. 北京: 人民大学出版社, 2011.
|
|
[3]
|
拉康. 拉康选集[M]. 褚孝泉, 译. 北京: 三联书店, 2001: 602.
|