图像学视野下电影《哪吒之魔童降世》研究

A Study of the Film “Ne Zha: I Am the Destiny” from the Perspective of Iconology

摘要: 导演饺子执导的中国动画电影《哪吒之魔童降世》于2019年上映，继《大圣归来》《大鱼海棠》等优秀国产电影后，又在国内掀起一股讨论热潮。影片剧情改编自明代长篇小说《封神演义》，传统故事为何仍能在当下产生现象级的影响？本文将运用适合研究此类现象的潘诺夫斯基图像学分析框架，通过“前图像志描述”“图像志分析”“图像学阐释”步骤，解析电影《哪吒之魔童降世》的深层意涵，明晰热潮动因。

Abstract: The Chinese animated film Ne Zha: I am the Destiny directed by director Jiaozi was released in 2019. After the publication of excellent domestic films such as Mon-key King: Hero is Back and Big Fish & Begonia, there has been a wave of discussion about Ne Zha: I am the Destiny in China. The plot of the film is adapted from the Ming Dynasty novel The Romance of the Gods. Why can Chinese traditional stories still have a profound impact today? This paper will use the Panofsky’s Iconology analysis framework suitable for the study of such phenomena, analyzing the deep meaning of the film Ne Zha: I am the Destiny through the “description of the image”, “image analysis” and “image interpretation”, and clarify the motivation of the boom.