概念整合理论视角下动画电影《哪吒之魔童降世》的多模态隐喻研究

A Study of Multimodal Metaphors in the Animated Movie NE ZHA: I Am the Destiny from the Perspective of Conceptual Blending Theory

摘要: 随着人们对隐喻的认知进一步加深，多模态隐喻应运而生。多模态隐喻是一种基于源域和目标域意义之间的符号关系的隐喻。它不仅是一种修辞手段，更是一种认知工具。动画电影具有鲜明的特点，其艺术价值值得关注和研究。本文以概念整合理论为基础，经过定性研究，分析了动画电影《哪吒之魔童降世》中的多模态隐喻。本文主要分析了电影中通过图画、语言和声音模态呈现的多模态隐喻以及其所对应的概念整合网络类型。本研究验证了概念整合理论在多模态隐喻分析中的可行性。同时本文从新的角度分析了动画电影《哪吒之魔童降世》，具有一定的理论参考价值和现实意义。

Abstract: With the deepening of people’s cognition of metaphor, multimodal metaphor comes into being. Multimodal metaphor is a metaphor based on the symbolic relationship between the meaning of source domain and target domain. It is not only a rhetorical means, but also a cognitive tool. Animated films have distinct characteristics, and its artistic value deserves attention and research. Therefore, based on the conceptual blending theory and qualitative research, the multimodal metaphor in the animated film NE ZHA: I Am the Destiny is analyzed. This paper mainly analyzes the image, sound and language modes of presenting multimodal metaphors, and the corresponding types of conceptual blending network in the films. This study verifies the feasibility of conceptual blending theory in multimodal metaphor analysis. In addition, this paper analyzes the animated film NE ZHA: I Am the Destiny from a new perspective, which has certain theoretical reference value and practical significance.