洞天福地的生存空间：AI绘画与大众审美匹配度探究

The Lebensraum of Blessed Land: A Probe into the Matching Degree of AI Painting and Public Aesthetics

摘要: 洞天福地是中国先民集体意识中和谐富贵、平和安乐生活的象征，是人们理想生活的缩影与心灵深处的桃源。古人在自己所处的生存空间中，通过想象绘制洞天福地图景，对应陆地确定“洞天福地”仙境体系。时代更替也影响着人们对于自我生存空间的认知。随着AI绘画可视艺术的普及，AI绘画的应用领域成为了人们关注的重点之一。为此本次实验利用洞天福地相关文献记载中的地理布局、典型的江南洞天现实空间以及绘画题材中洞天景观特征进行词频积累与关键词提取，并借助AI绘画工具MD (Mid journey)进行可视化处理。分析AI绘画可视艺术与大众对“洞天福地”审美认知之间匹配度的差异情况，证明AI绘画可视艺术是可以辅助增强人们对抽象“洞天福地”生存空间的画面感，及AI绘画可视艺术辅助大众审美认知具有可行性。

Abstract: Dong Tian Fu Di is a symbol of harmonious, prosperous, peaceful and happy life in the collective consciousness of Chinese ancestors, a microcosm of people’s ideal life and a paradise in their hearts. In their Lebensraum, the ancients drew a picture of the blessed land through imagination, and determined the “blessed land” fairyland system corresponding to the land. The change of times also affects people’s cognition of their own Lebensraum. With the popularization of visual art in AI painting, the application field of AI painting has become one of the focuses of people’s attention. For this purpose, this experiment utilized the geographical layout recorded in relevant literature of Dong Tian Fu Di, typical Jiangnan Dong Tian real space, and Dong Tian landscape features in painting themes for word frequency accumulation and keyword extraction, and uti-lized the AI painting tool MD (Mid journey) for visualization processing. This paper analyzes the difference in the matching degree between AI painting visual art and the public’s aesthetic cognition of the “blessed cave”, and proves that AI painting visual art can help enhance people’s sense of the picture of the abstract “blessed cave” Lebensraum, and it is feasible for AI painting visual art to assist the public’s aesthetic cognition.