银艺传韵——贵州苗族银文化译介研究

The Lingering Charm of Silver Art—Translation Study on the Hmong Silver Culture in Guizhou

摘要: 苗族是全球运用白银最多的民族，经过数千年的颠沛流离，在世界各地留下了弥足珍贵的白银文化。在中国，银文化最丰富的民族当属贵州苗族。贵州苗族银文化在国内虽有一定研究基础，但相关译介研究却不多，苗族银文化“走出去”仍任重道远。本研究利用WorldCat等数据平台整理截至目前的海内外苗族银文化相关图书与文章，揭示译介问题与译介效果，并以译介场域–贵州省博物馆为案例，从翻译补偿理论出发，探讨如何在译介中弥补因文化差异而造成的文化损失，旨在为贵州苗族银文化“走出去”提供良好的理论基础与实践借鉴。

Abstract: Hmong people use the silver most frequently among the nations globally. Having undergone home-lessness for thousand years, they have left precious silver culture to the world. In China, Guizhou’s Hmong people have formed the richest silver culture. Despite that the research on Guizhou’s silver culture has been made domestically for years, there are few researches on the foreign translation of it. In other words, the cultural promotion of Hmong silver overseas has a further way to go. The the-sis collected the current books and papers of the Hmong silver culture domestically and overseas from online databases, like WorldCat, analyzing the translation effect of the Hmong silver culture, and revealing the potential problems existed in silver-cultural translation and dissemination. Fur-therly, based on the theory of translation compensation, the thesis took the translation site-Guizhou Provincial Museum as a case to discuss how to compensate for the cultural loss induced by cultural differences in translation, aiming at offering a sensible theoretical and practical reference for the Guizhou’s Hmong silver culture to “go global”.