内蒙古地区寺院音乐研究综述

A Review of Research on Temple Music in Inner Mongolia

摘要: 佛教音乐在中国化的过程中表现出不同派别具有不同的风格特点，汉传佛教、藏传佛教都有不同的仪式音乐韵律，它们都是我国传统音乐的一部分。内蒙古地区佛教寺庙数量众多，各寺庙仪式音乐也都有其特点。以往研究认为，内蒙古佛教寺院音乐风格在其发展过程中，既有佛教音乐借鉴民族传统音乐的部分，也有民族音乐吸收佛教音乐的元素或对佛教音乐的改编，佛教音乐在宗教性和民族性的双重影响下不断发展。因此，本文收集、整理和分析了当下学术界对内蒙古寺院音乐的调研成果及研究现状，并为进一步研究提供理论基础。

Abstract: In the process of sinicization, Buddhist music has shown the characteristics of different schools with different styles. Both Chinese Buddhism and Tibetan Buddhism have different ritual music rhythms, which are part of traditional Chinese music. There are numerous Buddhist temples in Inner Mongolia, and each temple’s ritual music also has its own characteristics. Previous studies have suggested that the music style of Buddhist temples in Inner Mongolia has evolved through both borrowing from traditional ethnic music and incorporating elements or adaptations of Buddhist music. Buddhist music has continued to develop under the dual influence of religious and ethnic factors. Therefore, this article collects, organizes, and analyzes the current research results and research status of Inner Mongolia temple music in the academic community, and provides a theoretical basis for further research.