论古筝独奏曲《孔雀东南飞》“技”与“情”的运用

The Application of “Skill” and “Feeling” on Guzheng Solo “Peacock Flying Southeast”

摘要: 文章以古筝独奏曲《孔雀东南飞》为研究对象，探讨了其演奏技巧和情感表达。文章深入分析了左、右手演奏技术，包括撮弦、摇指、刮奏、按滑音以及双手分解和弦等技巧的运用，同时强调了作品各段落的情感处理。研究揭示了技巧与情感表达之间密不可分的关系，并通过深层次的演奏体验，探讨了作品的演奏要领及其文化内涵，力求实现音乐与诗意的完美融合。文章旨在让更多人了解中国传统艺术中文学与音乐的关系，帮助古筝学习者更精准地诠释和演奏这经典古筝作品。

Abstract: Taking the solo Guzheng “Peacock Flying Southeast” as the research object, this paper probes into its playing skills and emotional expression. The article deeply analyzes the left and right hand playing techniques, including the application of the string pinch, finger wagging, scraping, glissando and the decomposition of chords with both hands, and emphasizes the emotional processing of each paragraph of the work. The research reveals the inseparable relationship between skill and emotional expression, and explores the playing essentials and cultural connotation of the works through deep playing experience, and strives to achieve the perfect integration of music and poetry. This article aims to let more people understand the relationship between literature and music in traditional Chinese art, and help Guzheng learners to interpret and play this classic guzheng work more accurately.