|
[1]
|
华兹华斯. 抒情歌谣集序言[M]. 北京: 人民文学出版社, 1984.
|
|
[2]
|
庞德. 二十世纪文学评论[M]. 上海: 上海译文出版社, 1987.
|
|
[3]
|
孙晓艳. 概念整合理论视域下的诗歌意象探析——以花意象为例[J]. 昌吉学院学报, 2018(4): 44-47.
|
|
[4]
|
Fauconnier, G. (1994) Mental Spaces: Aspects of Meaning Construction in Natural Language. Cambridge University Press. [Google Scholar] [CrossRef]
|
|
[5]
|
王寅. 认知语言学教程[M]. 北京: 北京大学出版社, 2021: 155-182.
|
|
[6]
|
杨波, Turner, M. Gilles Fauconnier教授的遗产: 从心理空间到概念整合及其他——Mark Turner教授访谈录[J]. 外语研究, 2022, 39(5): 27-33.
|
|
[7]
|
Fauconnier, G. and Turner, M. (2002) The Way We Think: Conceptual Blending and the Mind’s Hidden Complexities. Basic Books.
|
|
[8]
|
Coulson, S. (2006) Conceptual Blending in Thought, Rhetoric, and Ideology. Applications of Cognitive Linguistics, 1, 187-210. [Google Scholar] [CrossRef]
|
|
[9]
|
Grygiel, M. (2004) Semantic Change as a Process of Conceptual Blending. Annual Review of Cognitive Linguistics, 2, 285-304. [Google Scholar] [CrossRef]
|
|
[10]
|
王懿. 概念整合理论在意义构建中的解释力[J]. 安徽大学学报, 2006, 30(5): 92-95.
|
|
[11]
|
张辉, 杨波. 心理空间与概念整合: 理论发展及其应用[J]. 解放军外国语学院学报, 2008(1): 7-14.
|
|
[12]
|
Lewis, C.D. (2011) The Poetic Image. A & C Black.
|
|
[13]
|
Gosetti-Ferencei, J. (2012) The World and Image of Poetic Language: Heidegger and Blanchot. Continental Philosophy Review, 45, 189-212. [Google Scholar] [CrossRef]
|
|
[14]
|
佟秋华. 论古典诗歌意象的语用功能[J]. 学术交流, 2020(6): 183-190.
|
|
[15]
|
曹元甲. 诗何以兴?——论诗歌意象的生成机制及其兴发功能[J]. 东吴学术, 2020(5): 34-39.
|
|
[16]
|
刘春芳, 高新华. 英国浪漫主义诗歌意象的情感功能[J]. 天津大学学报(社会科学版), 2011, 13(3): 235-239.
|
|
[17]
|
吴胜军. 诗歌意象和概念整合理论——以意象派诗歌为例[J]. 湘潭师范学院学报(社会科学版), 2008, 30(6): 229-231.
|
|
[18]
|
刘芳. 论诗歌意象语言符号的生成[J]. 平顶山学学报, 2014, 29(6): 102-105.
|
|
[19]
|
Matyoqubova, T. (2023) Poetic Imagery of Nature. Theoretical & Applied Science, 118, 521-524. [Google Scholar] [CrossRef]
|
|
[20]
|
李顺春. 中英诗歌意象分类之比较[J]. 内蒙古大学学报(人文社会科学版), 2001, 33(1): 99-102.
|
|
[21]
|
刘芳. 诗歌意象语言研究[D]: [博士学位论文]. 上海: 上海外国语大学, 2008.
|
|
[22]
|
Shaw, G. (2008) The Multisensory Image and Emotion in Poetry. Psychology of Aesthetics, Creativity, and the Arts, 2, 175-178. [Google Scholar] [CrossRef]
|
|
[23]
|
Brandt, L. and Brandt, P.A. (2005) Cognitive Poetics and Imagery. European Journal of English Studies, 9, 117-130. [Google Scholar] [CrossRef]
|
|
[24]
|
Kao, J. and Jurafsky, D. (2012) A Computational Analysis of Style, Affect, and Imagery in Contemporary Poetry. Proceedings of the NAACL-HLT 2012 Workshop on Computational Linguistics for Literature, Montréal, 8 June 2012, 8-17.
|
|
[25]
|
Awan, A.G. and Khalida, Y. (2015) New Trends in Modern Poetry. Journal of Literature, Languages and Linguistics, 13, 63-72.
|
|
[26]
|
Hanauer, D. (2003) Multicultural Moments in Poetry: The Importance of the Unique. The Canadian Modern Language Review, 60, 69-87. [Google Scholar] [CrossRef]
|
|
[27]
|
黎昌抱. 王佐良翻译风格研究[D]: [博士学位论文]. 上海: 上海外国语大学, 2008.
|
|
[28]
|
吴伟仁. 英国文学史及选读(第二册) [M]. 北京: 外语教学与研究出版社, 2013.
|
|
[29]
|
王佐良. 英国诗选[M]. 上海: 上海译文出版社, 2012.
|
|
[30]
|
张蔚. 《西风颂》象征手法解读[J]. 黑河学院学报, 2018, 9(5): 161-162.
|
|
[31]
|
Silk, M.S. (2006) Interaction in Poetic Imagery: With Special Reference to Early Greek Poetry. Cambridge University Press.
|