存在主义视域下电影《无姓之人》的人物建构
The Construction of Characters in the Film Mr. Nobody from an Existentialist Perspective
DOI: 10.12677/arl.2025.143049, PDF,   
作者: 樊思慧:重庆邮电大学传媒艺术学院,重庆
关键词: 存在主义自由《无姓之人》人物建构Existentialism Freedom Mr. Nobody Character Construction
摘要: 《无姓之人》(Mr. Nobody, 2010)从未来世界最后一位人类Nemo Nobody的视角出发,展现了他在生命长河的混乱记忆中不同走向的人生版本,其精巧的叙事结构和丰富的想象尤为出彩,电影中对人生选择的强调渗透着存在主义的核心思想——人的存在先于其本质,而个体的选择和行动定义了他们是谁,个体总是在不断思考人生、选择和责任的真实含义。本文从存在主义理论出发,探讨了在电影《无姓之人》(Mr. Nobody, 2010)中主人公Nemo Nobody对个人自由意志的寻觅,用个人的行动体现自我的价值。
Abstract: Mr. Nobody (2010) starts from the perspective of Nemo Nobody, the last human in the future world, presenting different versions of his life in the chaotic memories of the long river of life. Its ingenious narrative structure and rich imagination are particularly outstanding. The emphasis on life choices in the film is permeated with the core idea of existentialism—human existence precedes their essence, and an individual’s choices and actions define who they are. Individuals are constantly contemplating the true meaning of life, choices and responsibilities. Based on existentialist theory, this article explores the protagonist Nemo Nobody’s search for personal free will in the film Mr. Nobody (2010), and his realization of self-worth through personal actions.
文章引用:樊思慧. 存在主义视域下电影《无姓之人》的人物建构[J]. 艺术研究快报, 2025, 14(3): 317-322. https://doi.org/10.12677/arl.2025.143049

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