从《高睨摩空图轴》看石涛的美学思想

Viewing Shi Tao’s Aesthetic Thoughts from “The Axis of High Gazing at the Sky”

摘要: 《高睨摩空图轴》是清初四僧之一石涛晚年的山水画作品，其理论著作《苦瓜和尚画语录》在中国画论史上具有开创性意义，展现了石涛对传统绘画理论与技法的突破性思考。本文通过对石涛绘画理论中的美学思想以及其山水画作品《高睨摩空图轴》的研究，分析石涛的美学思想在艺术作品中的具体呈现，探讨其“一画”、“搜尽奇峰打草稿”等创作理念和美学思想与创作内容、技法的统一性。石涛的美学思想在其作品中的运用，对于中国山水画创作和理论的发展均具有重要的指导意义和研究价值。

Abstract: “The Axis of High Gazing at the Sky” is a landscape painting work by Shi Tao, one of the Four Monks of the early Qing Dynasty, in his later years. His theoretical work “Monk Bitter Gourd’s Analects on Painting” has pioneering significance in the history of Chinese painting theory, demonstrating Shi Tao’s breakthrough thinking on traditional painting theory and techniques. This article analyzes the specific presentation of Shi Tao’s aesthetic ideas in his artistic works through the study of his aesthetic thoughts in painting theory and his landscape painting work “The Axis of High Gazing at the Sky”. It explores the unity of his creative concepts and aesthetic ideas, as well as his creative content and techniques, such as “one painting” and “searching all the peaks and sketching”. The application of Shi Tao’s aesthetic ideas in his works has important guiding significance and research value for the creation and theoretical development of Chinese landscape painting.