接受美学理论在魔术艺术研究中的应用与拓展

The Application and Expansion of Reception Aesthetics Theory in the Study of Magic Art

摘要: 当前魔术领域中，观众观看姿态与心态的非严肃性已成为制约魔术艺术表达的核心问题，而针对该问题的接受美学研究尚显匮乏。本文立足魔术本质，结合文化系统分析，从公共性接受美学与个体性读者反应双重视角，旨在构建魔术接受美学理论框架。研究发现，魔术接受理论的分析需围绕期待视野、剧场心理学、文本对观众的效果展开，并结合现有接受美学理论成果；同时指出，魔术接受状态的改善，其核心路径是在文化系统内实现魔术的艺术化。本文研究为魔术艺术理论的建立与魔术艺术化发展奠定基础，也为后续魔术史研究及魔术实践的艺术化提供必要理论支撑。

Abstract: In the current magic field, the lack of seriousness in the audience’s viewing posture and mentality has become a core issue restricting the artistic expression of magic, while the research on reception aesthetics addressing this problem is still insufficient. Based on the nature of magic and combined with the analysis of cultural systems, this paper aims to construct a theoretical framework of magic reception aesthetics from the dual perspectives of public reception aesthetics and individual reader-response. The study finds that the analysis of magic reception theory should focus on the horizon of expectations, theater psychology, text and its effects on the audience, and integrate the existing research results of reception aesthetics theories. It also points out that the core path to improve the magic reception state is to realize the artistry of magic within the cultural system. This study lays a foundation for the establishment of magic art theory and the artistic development of magic, and also provides necessary theoretical support for the subsequent research on magic history and the artistry of magic practice.