上官婉儿《游长宁公主流杯池二十五首》中的山水书写

Landscape Depiction in Shangguan Wan’er’s Twenty-Five Poems on the Winding Stream Pond of Princess Changning

摘要: 初唐社会文化思想包容性提升，儒、释、道思想逐渐并进，各民族逐渐融合，女性地位得到提高，加之游宴唱和活动频有，推动了上官婉儿积极进行山水书写创作。本文旨在通过对上官婉儿《游长宁公主流杯池二十五首》诗中的山水书写分析，如意象与意境、写作手法、审美特色等，从一个侧面搭建起魏晋南北朝山水诗和盛唐山水诗关联的桥梁。

Abstract: During the early Tang Dynasty, the increased inclusiveness of socio-cultural thought, the parallel advancement of Confucianism, Buddhism, and Taoism, the gradual integration of ethnic groups, the elevated status of women, and the frequent occurrence of banquet gatherings and poetic exchanges collectively encouraged Shangguan Wan’er to engage actively in landscape poetry writing. This paper aims to analyze the landscape depiction in Shangguan Wan’er’s Twenty-Five Poems on the Winding Stream Pond of Princess Changning—including imagery and artistic conception, writing techniques, and aesthetic characteristics—to construct a bridge connecting the landscape poetry of the Wei, Jin, Northern and Southern Dynasties with that of the High Tang period from one perspective.