论《白鹿原》色彩二元对立的美学建构

On the Aesthetic Construction of Binary Opposition of Colors in White Deer Plain

摘要: 《白鹿原》色彩谱系中，白与黑，红与黄的对立，并非单纯的视觉审美元素，而是承载着深层的历史文化叙事符码。小说中白、黑、黄、红作为主调色彩，其呈现的二元对立，既展现了传统秩序与人性的撕裂，也揭示了历史进程中传统礼法的顽固性与悲剧性，并构成了文本的美学特征与意义价值。这种美学建构不仅强化了文本的象征张力，更从动态角度在色彩的对抗与消解中生成其背后的文化隐喻。

Abstract: In the color spectrum of White Deer Plain, the opposition between white and black, red and yellow is not merely a visual aesthetic element, but rather carries deep historical and cultural narrative codes. In the novel, white, black, yellow and red are the main color tones, their presented binary opposition not only shows the tearing of traditional order and human nature, but also reveals the stubbornness and tragedy of traditional culture in the historical process, and constitutes the aesthetic features and significance of the text. This aesthetic construction not only strengthens the symbolic tension of the text, but also generates the cultural metaphor behind the color confrontation and dissolution from a dynamic perspective.