1912年至1949年老上海花砖纹样设计的艺术特征与转化研究

Artistic Characteristics and Transformation Research on Pattern Design of Old Shanghai Cement Tiles from 1912 to 1949

摘要: 本文以1912年至1949年时期老上海花砖为研究对象，探讨其纹样设计的艺术特征、文化内涵及现代转化路径。文章系统梳理了花砖的历史发展、工艺技术及其纹样在几何抽象、结构秩序和色彩运用等方面的艺术特点，指出其体现了海派文化中西融合、创新求变的风格。在此基础上，提出通过符号解构、几何重构和跨界应用等方法，实现花砖纹样在当代设计中的创新转化，为传统文化遗产的保护与活化提供实践思路。

Abstract: This paper takes the old Shanghai cement tiles from 1912 to 1949 as the research object, exploring the artistic characteristics, cultural connotations, and modern transformation paths of their pattern design. It systematically reviews the historical development, craftsmanship, and artistic features of the tiles in terms of geometric abstraction, structural order, and color application, highlighting their embodiment of the Shanghai-style culture that integrates Chinese and Western elements with an innovative spirit. Based on this, the paper proposes methods such as symbolic deconstruction, geometric reconstruction, and cross-border application to achieve the innovative transformation of tile patterns in contemporary design, providing practical insights for the preservation and revitalization of traditional cultural heritage.