加速社会视域下的青年数字怀旧实践——以B站“怀旧向”二次创作视频为例

Youth Digital Nostalgia Practices in the Context of Social Acceleration—A Case Study of “Nostalgia-Oriented” Derivative Videos on Bilibili

摘要: 本文以B站“怀旧向”二次创作为研究对象，在哈特穆特·罗萨的“社会加速”理论视域下，探究当代青年数字怀旧实践的深层动因与文化意涵。研究发现，青年通过“修复型怀旧”与“慢美学”的创作手法，重塑了一个用以对抗时间流逝的理想化过去；并通过话语仪式与共时性互动，在虚拟空间中构建起情感共鸣的趣缘社群。文章指出，这种怀旧实践并非对现实的逃避，而是青年在加速社会中为应对时间异化、情感连接弱化与意义断裂而采取的一种积极文化策略。它帮助青年重获时间掌控感，重建社会共鸣，并为自我身份寻回历史坐标，是一种重要的安身之法。

Abstract: Focusing on “nostalgia-oriented” derivative works on Bilibili, this paper explores the underlying motivations and cultural implications of contemporary youth’s digital nostalgia practices through the theoretical lens of Hartmut Rosa’s “Social Acceleration.” The research finds that through the creative techniques of “restorative nostalgia” and “slow aesthetics,” young people reconstruct an idealized past to counteract the flow of time. Furthermore, they establish interest-based communities of emotional resonance in virtual spaces through discursive rituals and synchronic interaction. The article argues that this nostalgic practice is not a form of escapism, but rather an active cultural strategy employed by young people to cope with temporal alienation, the weakening of emotional bonds, and fractured meaning in an accelerating society. It enables them to regain a sense of control over time, rebuild social resonance, and find historical coordinates for their self-identity, serving as a crucial means of anchoring the self.