潘玉良归国任教期间作品的风格特征研究

A Study of the Stylistic Characteristics in Pan Yuliang’s Works during Her Period of Teaching in China

摘要: 潘玉良1950年左右的作品开始呈现鲜明的个人特点，显然短时间的绘画风格“突变”是不符合常规的，在这成果之前潘玉良必定有我们忽视的阶段性积累，最终才有从量变到质变的渐变过程。归国的这十年(1928~1937年)是潘玉良艺术生涯中重要的阶段之一，此阶段她开始接触到中国画，在之前对西画学习的基础上，她在艺术创作中探索现代主义绘画，同时尝试着融合中西方绘画风格的方式，晚期也随着这条探索道路形成了自成一派的绘画风格，由此可见，对潘玉良归国期间作品的风格特征进行研究有利于我们把握潘玉良艺术风格转变的“关键点”，以及演化过程的细节。

Abstract: Pan Yuliang’s works around 1950 began to exhibit distinct personal characteristics. However, a sudden “mutation” in painting style within a short period is highly unconventional. This artistic achievement must have been preceded by a phase of gradual accumulation that has often been overlooked, culminating in a qualitative leap from quantitative changes. The decade following her return to China (1928~1937) was a pivotal stage in Pan Yuliang’s career. During this period, she was exposed to traditional Chinese painting. Building upon her foundational training in Western art, she began to explore modernist painting and experimented with integrating Chinese and Western stylistic approaches. This exploratory path ultimately led to the formation of her unique artistic style in her later years. Therefore, a study of the stylistic characteristics of Pan Yuliang’s work from her domestic period is crucial for identifying the “critical points” in the transformation of her artistic style and for understanding the nuances of its evolution.