狂欢化诗学理论视域下的好莱坞犯罪电影创作——以作品《利刃出鞘》为例

Hollywood Crime Film Creation from the Perspective of Carnival Poetics Theory—Taking the Work “Knives Out” as an Example

摘要: 犯罪电影因其自身题材的陌生化观感，奇观化的视听形象呈现，以及长时间电影创作实践所带来的成熟范例，所以其自身在注重情节安排以及遵循古典三幕式创作的好莱坞一直经久不衰。在长期的创作实践中，好莱坞的犯罪电影创作者们不断吸收优秀的创作经验以及文艺理论，在形式与内容上不断推陈出新，创作出了许多优秀作品。这些作品文本不仅在创作上彰显了犯罪电影创作上的可能性。同时它们也展现出经典前沿文艺理论的核心与精髓。上映于2019年的家庭犯罪电影《利刃出鞘》便是其中代表。这部作品在实际创作中遵循叙事传统，在文本的文化内涵上契合了巴赫金狂欢化诗学理论中的文艺思想。

Abstract: Crime movies have been enduring in Hollywood, which emphasizes plot arrangement and follows the classical three-act structure, due to their unfamiliar subject matter, spectacular audiovisual presentation, and mature examples brought by long-term film creation practice. In the long-term creative practice, Hollywood crime movie creators have continuously absorbed excellent creative experiences and literary theories, constantly innovating in form and content, and producing many excellent works. These works not only demonstrate the possibilities of crime movie creation in terms of production but also showcase the core and essence of classic cutting-edge literary theories. The family crime movie “Knives Out”, released in 2019, is a representative example. This work follows the narrative tradition in actual creation and aligns with the literary ideas in Bakhtin’s carnival poetics theory in terms of the cultural connotation of the text.