接受美学视角下网络文学的创作与接受——以丁墨小说为例

Creation and Reception of Online Literature from the Perspective of Reception Aesthetics—Taking Mo Ding’s Novels as an Example

摘要: 数字技术重塑了文学创作与接受的互动范式，丁墨作为同时具有类型突破与市场反响的网络作家，其作品为审视接受美学理论提供了新的实践场域。文章运用接受美学理论，以丁墨小说为案例，深入探讨网络文学的创作在读者接受维度下的重构。通过分析隐含读者、期待视野与视野融合等理论视角，揭示读者如何影响网络文学的创作过程、文本特征及审美价值，进而构建起作者与读者之间的良性互动关系，为网络文学的持续发展提供新的理论支撑与实践路径。

Abstract: Digital technology has reshaped the interactive paradigm of literary creation and reception. As an online writer who has achieved both genre breakthroughs and market success, Mo Ding’s works provide a new practical field for examining the theory of Reception Aesthetics. This paper applies the theory of Reception Aesthetics, takes Mo Ding’s novels as cases, and deeply explores the reconstruction of online literature creation from the perspective of reader reception. By analyzing theoretical perspectives such as implied reader, horizon of expectations and fusion of horizons, it reveals how readers influence the creation process, textual characteristics and aesthetic value of online literature, thereby constructing a positive interactive relationship between authors and readers and providing new theoretical support and practical paths for the sustainable development of online literature.