数字化背景下艺术品的营销策略研究
Research on Marketing Strategies of Artworks in the Digital Context
摘要: 在数字化的背景下,艺术品面临“传播渠道固化、消费门槛高、商业变现低效”的结构性困境,亟需适配性营销策略突破。本研究采用“问题–策略”对照分析框架,梳理了艺术品数字化传播、定价机制、社区运营三个核心维度的现状问题,并提出针对性的优化策略。研究发现:数字化传播面临载体创新不足、技术适配性差等问题;艺术品的价格门槛高且定价机制僵化且存在信息不对称、估值体系缺失等困境;社区运营面临用户粘性低、缺乏共创机制等挑战。基于泡泡玛特定价策略和无聊猿社区运营逻辑,力图构建“数字化载体–定价机制–社群运营”三维协同框架,为数字化时代艺术品实现高效电商化营销、提升传播效能与商业化变现能力提供可落地的策略参考。
Abstract: Against the backdrop of digitalization, artworks are confronted with structural predicaments: “solidified communication channels, high consumption thresholds, and inefficient commercial monetization”, calling for urgent adaptive marketing strategies to achieve a breakthrough. Adopting a “problem-strategy” comparative analysis framework, this study sorts out the current issues in three core dimensions of artworks—digital communication, pricing mechanisms, and community operations—and proposes targeted optimization strategies. The research reveals that: digital communication is hampered by insufficient carrier innovation and poor technical adaptability; pricing mechanisms are plagued by information asymmetry and the lack of a sound valuation system; community operations face challenges such as low user stickiness and the absence of co-creation mechanisms. Drawing on Pop Mart’s IP premium model and the community operation logic of Bored Ape Yacht Club (BAYC), this study endeavors to construct a three-dimensional collaborative framework of “digital carriers-pricing mechanisms-community operations”. It aims to provide actionable strategic references for artworks to realize efficient e-commerce marketing, enhance communication efficiency, and improve commercial monetization capabilities in the digital age.
文章引用:余欣业. 数字化背景下艺术品的营销策略研究[J]. 电子商务评论, 2025, 14(12): 2909-2914. https://doi.org/10.12677/ecl.2025.14124193

参考文献

[1] McAndrew, C., 巴塞尔艺术展, 瑞银集团. 2025年巴塞尔艺术展与瑞银集团环球艺术市场报告[R]. 北京: 瑞银集团中国内地.
https://www.ubs.com/cn/sc/ubs-securities/products-services/wealth-management/app/tab1/articles/seven-findings-from-art-basel-2025.html, 2025-11-06.
[2] 刘晖. 布尔迪厄的文艺社会学[M]. 北京: 中国社会科学出版社, 2023.
[3] 新浪财经. 泡泡玛特2024年营收130.4亿元 首次实现4大IP收入破10亿[EB/OL]. 2025-03-26.
https://finance.sina.com.cn/stock/relnews/hk/2025-03-26/doc-ineqyrfn1536302.shtml, 2025-11-08.
[4] Yuga Labs 101 Bored Ape Yacht Club.
https://m-auction.artron.net/trade/auction/detail/art0141850001
[5] 崔玉英. 加快推进数字产业化和产业数字化[N]. 人民政协报, 2021-08-17(007).
[6] 黄隽, 唐善才. 艺术品金融市场: 文献综述[J]. 国际金融研究, 2014(2): 79-88.
[7] 戴婷婷. 数字化动力下中国艺术市场的创新发展[J]. 中国美术, 2023(2): 67-71.
[8] 敦煌研究院官网敦煌研究院. “数字敦煌”资源库平台建设入选首批数字中国建设典型案例[EB/OL]. 2024-09-14.
https://www.dha.ac.cn/info/1018/5835.htm, 2025-11-08.
[9] 李万康. 艺术市场学概论[M]. 上海: 复旦大学出版社, 2005.
[10] 刘鏐. S书画艺术平台营销策略优化研究[D]: [硕士学位论文]. 上海: 华东师范大学, 2023.