翻译体认系统视角下非遗戏曲英译探究

English Translation Studies on Intangible Cultural Heritage of Traditional Opera from the Perspective of Embodied Cognition

摘要: 非遗戏曲作为中华非物质文化遗产和民族文化标识的重要载体，在世界多元文化互植互嵌的时代背景下亟需寻觅新的传播路径。研究以体认翻译学“现实、认知、语言”为基础，翻译体认系统论为框架，节选昆曲《牡丹亭》《西厢记》、北路壮剧《农家宝铁》英译唱词，探究双语译本二次体认和多语译本多重体认中非遗戏曲唱词的形意变化，为推动中华非遗戏曲文化走向世界提供新的交流之法。

Abstract: As an important carrier of China’s intangible cultural heritage and national cultural identity, traditional opera is in urgent need of new dissemination channels in the era of mutual implantation and interweaving of diverse cultures around the world. Based on the “Reality, cognition and language” of the theory of Embodied Cognitive Translatology and the framework of the embodied cognition system, this study selects the English translations of the plays of Kun Opera “The Peony Pavilion”, “The Western Chamber”, as well as Northern Zhuang Opera “Nongjia Bao Tie”, to explore the changes in form and meaning of the libretto of traditional opera in the process of re-embodiment in bilingual translations and multiple-embodiment in multilingual translations, providing new communication ways for promoting the global communication of Intangible cultural heritage of Chinese Traditional Opera.