短视频二次创作的知识产权困境与平衡路径构建
The Intellectual Property Dilemma and Path to Balance in Short Video Secondary Creation
DOI: 10.12677/ojls.2026.141002, PDF,   
作者: 殷梦婷:宁波大学马克思主义学院,浙江 宁波
关键词: 短视频二次创作知识产权著作权法Short Vedio Secondary Creation Intellectual Property Rights Copyright Law
摘要: 随着短视频产业的迅猛发展,基于现有作品进行的“二次创作”(以下简称“二创”)已成为网络平台内容生态的重要组成部分。然而,这种充满活力的创作形式面临着严峻的知识产权挑战。本文旨在系统剖析短视频“二创”所引发的知识产权问题。论文首先界定了短视频“二创”的核心概念与主要类型,并指出其“二次性”与“创作性”并存的特质是法律争议的根源。其次,深入探讨了短视频侵权的界定标准与复杂范围,指出其核心在于对“信息网络传播权”等专有权利的侵害及“合理使用”原则的适用边界的模糊性。进而,通过对“快手–《甄嬛传》案”的个案研讨,揭示了当前司法实践对于平台责任认定(如“应知”状态的判断)与不同类型“二创”作品侵权性质的精细化考量。最后,论文从平台治理、创作者责任、版权方策略以及法律与社会环境四个层面,构建了一个“多元共治”的良性数字创意内容生态发展路径,以寻求激励原创与滋养再创作之间的动态平衡。
Abstract: With the rapid development of the short video industry, “secondary creation” (hereinafter referred to as “re-creation”) based on existing works has become an important component of the content ecosystem on online platforms. However, this dynamic form of creation faces serious intellectual property challenges. This paper aims to systematically analyze the intellectual property issues arising from short video secondary creation. First, the paper defines the core concepts and main types of short video secondary creation, pointing out that the coexistence of its “secondary nature” and “creativity” is the root of legal disputes. Second, it delves into the criteria for defining infringement in short videos and the complexity of its scope, highlighting that the core issue lies in the infringement of exclusive rights such as the “right of communication through information networks” and the ambiguity in the application boundaries of the “fair use” doctrine. Furthermore, through a case study of the “Kuaishou-Empresses in the Palace” dispute, the paper reveals how current judicial practices refine the identification of platform responsibilities (such as the determination of “should-have-known” status) and the nature of infringement in different types of secondary creation works. Finally, the paper constructs a “multi-stakeholder governance” path for the development of a healthy digital creative content ecosystem from four perspectives: platform governance, creator responsibility, copyright owner strategies, and the legal and social environment, aiming to achieve a dynamic balance between incentivizing original creation and fostering re-creation.
文章引用:殷梦婷. 短视频二次创作的知识产权困境与平衡路径构建[J]. 法学, 2026, 14(1): 9-14. https://doi.org/10.12677/ojls.2026.141002

参考文献

[1] 王书川, 牛仟宠. “取短补长”: 剧集二次创作短视频与原剧长视频平台共赢发展策略[J]. 安庆师范大学学报(社会科学版), 2025, 44(4): 73-80.
[2] 李明, 殷鸣. “短视频舆论场域”: 平台舆情事件演化的新框架[J]. 传媒观察, 2025(2): 18-27.
[3] 夏颖, 李静萱. “二创”短视频边界探讨——以腾讯批量起诉“二创”博主为例[J]. 传媒论坛, 2025(15): 38-41.
[4] 吴珊珊. 二次创作短视频著作权侵权及合理使用问题研究[J]. 中国价格监管与反垄断, 2025(11): 99-101.
[5] 包韫慧, 雷大艳, 叶文芳. 短视频平台参与版权治理研究[J]. 出版广角, 2025(7): 86-91.
[6] 2021年中国短视频版权保护白皮书[N]. 中国新闻出版广电报, 2021-05-20(008).
[7] 搜狐网. 快手传播《甄嬛传》切片侵权, 判赔160万元, 版权保护再迎重要判例[EB/OL]. 2025-04-26.
https://m.sohu.com/a/889160156_122125535?_trans_=010004_pcwzy, 2025-10-28.
[8] 魏远山. 二创短视频的著作权侵权治理困境及其破解之道[J]. 新闻与传播评论, 2024, 77(6): 38-50.