方言、身份与地域文化：贾樟柯电影中的语言实践研究

Dialect, Identity and Regional Culture: A Study of Linguistic Practice in Jia Zhangke’s Films

摘要: 本文探究贾樟柯电影中方言对白在角色身份建构与地域文化编码的双重功能。研究发现，方言对白通过标识底层身份、维系身份认同、反映身份变迁构建角色社会维度；同时作为文化载体，展现地域民俗、承载历史记忆、凝练精神特质，深刻呈现山西地域文化基因。方言对白不仅增强电影真实感与艺术表现力，更以有声文化符号促进文化传播。贾樟柯借此有机串联个体与地域、社会现实与历史记忆，其创作实践为探索本土化叙事及全球化语境下方言文化的影像保存与传承提供了重要参照。

Abstract: This article examines the dual functions of dialect dialogue in Jia Zhangke’s films in constructing character identity and encoding regional culture. The study finds that dialect dialogue constructs the social dimension of characters by marking lower-class identities, sustaining identity recognition, and reflecting processes of identity transformation. At the same time, as a cultural vehicle, it stages local folk customs, carries historical memory, and crystallizes spiritual traits, thereby powerfully presenting the cultural genes of Shanxi. Dialect dialogue not only enhances the films’ realism and artistic expressiveness, but also, as a sonic cultural sign, facilitates cultural dissemination. In this way, Jia Zhangke organically weaves together individuals and locality, social reality and historical memory. His creative practice offers an important reference for exploring localized narrative strategies, as well as for the preservation and transmission of dialect culture in audiovisual form under conditions of globalization.