解域与启蒙——后现代主义与西方马克思主义美学视域下的“批判魔术”理论建构

De-Territorialization and Enlightenment—The Theoretical Construction of “Critical Magic” from the Perspectives of Postmodernism and Western Marxist Aesthetics

摘要: 魔术正处于以“技艺”为中心的传统范式向“理念”为中心的严肃艺术范式转化的阶段，而外部研究在这之中不可或缺。本研究以“裂白”为核心，修正魔术“包装”分类为叙事、确认、诗歌三类模式，立足西方马克思主义美学与后现代主义哲学双重视域，构建“批判魔术”的“游牧主义魔术”和“教育魔术”双重理论框架与实践路径。研究挖掘魔术思想承载与社会批判潜能，既推动魔术完成艺术化范式转型，也以其独特的解构逻辑与感性实践，为哲学提供具象化、可感知的新艺术经验，实现魔术与哲学的双向赋能。

Abstract: Magic is in a stage of transformation from the traditional paradigm centered on “tricks” to a serious art paradigm centered on “ideas”, and external research is indispensable in this process. Focusing on “ruptural lacuna” as the core, this study revises the classification of magic “packaging” into three models: narrative, confirmation, and poetic. Based on the dual perspectives of Western Marxist aesthetics and postmodernist philosophy, it constructs a dual theoretical framework and practical path for “critical magic”, namely “nomadic magic” and “educational magic”. The research explores the ideological carrying capacity and social critical potential of magic, which not only promotes magic to complete its artistic paradigm transformation, but also, with its unique deconstructive logic and perceptual practice, provides philosophy with concrete and perceptible new artistic experiences, realizing the two-way empowerment of magic and philosophy.