论李清照寒食词的书写选择与生命寄寓

On the Choice of Writing about the Cold Food Festival in Li Qingzhao’s Lyrics and the Implications of Life

摘要: 宋代节令词承载着丰富的民俗记忆与文人情怀，其中清明、寒食作为紧密相接的春季节令，已成为当时社会文化的重要载体。然而寒食却因侧重禁火冷食、追思先贤的幽寂特质，在词作中常被清明意象所覆盖，逐渐隐藏于节令书写之中。在清明书写占据主流的宋代词坛，李清照却唯独钟情于寒食书写，将寒食节令“禁”与“冷”的文化内涵与自身独特的生命经验与艺术审美相融合，呈现出了一条直抵人心灵深处与生命本质的独特书写路径。

Abstract: Festival lyrics of the Song Dynasty carry rich folk customs and literati sentiments. Among them, Qingming and the Cold Food Festival, as closely connected spring festivals, had become significant vessels of the social culture of that era. However, due to its somber characteristics focusing on fire prohibition, cold food consumption, and commemorating ancient sages, the Cold Food Festival was often overshadowed by the imagery of Qingming in lyrical works, gradually receding within festival writings. In the Song Dynasty lyric circle, where writings about Qingming were predominant, Li Qingzhao uniquely favored composing about the Cold Food Festival. She integrated the cultural connotations of “prohibition” and “coldness” inherent in the Cold Food Festival with her unique life experiences and artistic aesthetics, thereby presenting a distinctive path of writing that employs Cold Food Festival imagery to convey life consciousness.