火光中的凝视——叙事聚焦视域下《烧马棚》沙多里斯的困境与成长
Gaze amid the Blaze—Sartoris’s Dilemmas and Growth in Faulkner’s Barn Burning from the Perspective of Narrative Focalization
摘要: 《烧马棚》是威廉·福克纳创作的短篇小说。小说通过10岁男孩沙多里斯的视角,引导读者感知世界,同时全知叙述者的持续介入则突破了沙多里斯主观视角的限制。福克纳对多叙事视角的运用,使得这部作品具有一定的理解难度。为更深入地赏析《烧马棚》,有必要借助热拉尔·热奈特的叙事聚焦理论,对作品中多视角的运用进行分析。此外,还运用韦恩·布斯的隐含作者概念,并探讨沙多里斯叙述的可靠性。
Abstract: Barn Burning is a short story by William Faulkner. Through the perspective of a 10-year-old boy named Sarty, the story invites readers to perceive the world, while the constant intervention of an omniscient narrator transcends the limitations of Sartoris’s subjective viewpoint. Faulkner’s employment of multiple narrative perspectives renders the story somewhat challenging to comprehend. To gain a deeper appreciation of Barn Burning, it is essential to analyze the application of multiple perspectives with the aid of Gerard Genette’s focalization theory. Additionally, this paper also applies Wayne Booth’s concept of the implied author and explores the reliability of Sarty’s narration.
文章引用:李孟天. 火光中的凝视——叙事聚焦视域下《烧马棚》沙多里斯的困境与成长[J]. 世界文学研究, 2026, 14(2): 196-203. https://doi.org/10.12677/wls.2026.142028

参考文献

[1] 张鹏飞. 重审“福克纳的神话”: 论《烧马棚》中的伦理选择与伦理反讽[J]. 河北科技师范学院学报(社会科学版), 2023, 22(2): 56-62.
[2] Genette, G. (1980) Narrative Discourse. Cornell University Press.
[3] Tschoner, M. (2011) Faulkner and Film: An Exploration of Man and Work from the Perspective of Two Media. VDM Verlag Dr. Müller.
[4] Wainwright, M. (2011) Faulkner’s Gambit: Chess and Literature. Palgrave.
[5] Sensibar, J.L. (2009) Faulkner and Love. Yale University Press. [Google Scholar] [CrossRef
[6] Weinstein, P. (2010) Becoming Faulkner: The Art and Life of William Faulkner. Oxford University Press.
[7] Franklin, P. (1965) Sarty Snopes and Barn Burning. Mississippi Quarterly, 21, 189-193.
[8] Skei, H. (1999) Reading Faulkner’s Best Short Stories. University of South Carolina Press.
[9] Hiles, J. (1985) Kinship and Heredity in Faulkner’s Barn Burning. Mississippi Quarterly, 38, 329-337.
[10] Mortimer, G.L. (1981) Significant Absences: Faulkner’s Rhetoric of Loss. NOVEL: A Forum on Fiction, 14, 232-250. [Google Scholar] [CrossRef
[11] Kirchdorfer, U. (2015) Flight in William Faulkner’s Barn Burning. The Explicator, 73, 115-119. [Google Scholar] [CrossRef
[12] Murray, G. (2009) A History of Ancient Greek Literature. Cornell University Press.
[13] Loges, M.L. (1998) Faulkner’s Barn Burning. The Explicator, 57, 43-45. [Google Scholar] [CrossRef
[14] Strong, J. (1900) The Exhaustive Concordance of The Bible together with Dictionaries of the Hebrew and Greek Words of the Original with References to the English Words. MacDonald.
[15] Wilson, G.E. (1971) Being Pulled Two Ways: The Nature of Sarty’s Choice in Barn Burning. Mississippi Quarterly, 24, 279-288.
[16] Benedict, R. (2005) Patterns of Culture. Houghton Mifflin Harcourt.
[17] Fowler, S.H. (2011) Lennie Snopes, A Closer Look. Mississippi Quarterly, 64, 423-438. [Google Scholar] [CrossRef
[18] Abrams, M.H. (2005) A Glossary of Literary Terms. 8th Edition, Cengage Learning.
[19] Faulkner, W. (1995) Collected Stories of William Faulkner. Random House.
[20] Chatman, S. (1978) Story and Discourse: Narrative Structure in Fiction and Film. Cornell University Press.
[21] Booth, W.C. (2005) “Resurrection of the Implied Author: Why Bother?” In: Phelan, J. and Rabinowitz, P.J., Eds., A Companion to Narrative Theory, Blackwell, 75-88.