陈维崧题画词的创作功能与情感表达

The Creative Function and Emotional Expression of Chen Weisong’s Inscribed Poems on Paintings

摘要: 陈维崧是清初名家，作为阳羡词派的开山领袖，其词作颇丰，题材广泛，其中亦不乏用词的形式对画进行再创作的题画之词。《湖海楼词集》收录题陈维崧画词93首，这类词作有应酬唱和的直接目的，而作者才力和艺术个性造就的优秀作品也不在少数。此外，个别题画词又糅合了个人经验与情感，使之共同为画面内容服务。本文从实用功能和情感表达出发，探讨陈维崧题画词的实用性、诗性，还有其词论的尊词体观以及意内言外的复调书写方式。

Abstract: Chen Weisong, a renowned figure in the early Qing Dynasty, served as the pioneering leader of the Yangxian Ci School. His prolific poetry encompassed a wide range of themes, including numerous poems that recreated paintings through the form of ci poetry. The “Huhai Lou Ci Collection” includes 93 poems inscribed on Chen Weisong’s paintings. These poems serve the immediate purpose of socializing and echoing each other, yet they also contain numerous excellent works crafted by the author’s talent and artistic personality. Furthermore, some poems inscribed on paintings blend personal experiences and emotions, working together to enhance the content of the paintings. This article explores the practicality and poetic quality of Chen Weisong’s poems inscribed on paintings, as well as his poetic theory’s perspective on respecting the form of ci poetry and his polyphonic writing style that conveys both implicit and explicit meanings, from the perspectives of practical function and emotional expression.