《呼啸山庄》的幽灵书写与创伤记忆
Spectral Writing and Traumatic Memory in Wuthering Heights
摘要: 《呼啸山庄》中的幽灵意象在既有研究中多被纳入哥特文学传统加以考察。文章从创伤理论视角切入,探讨幽灵书写与创伤记忆的内在关联,依次从创伤的显形、滞留与传递三个层面展开分析。研究表明:凯瑟琳鬼魂的显现体现了创伤“延迟性回返”的时间结构;希斯克厉夫对丧失的拒认与心理封存构成幽灵滞留的深层机制;第二代的脆弱和解揭示了创伤代际传递的复杂面向。结尾幽灵的持续徘徊表明,创伤并未随叙事终结而消散,而是以幽灵的形式持续存在。该研究旨在揭示哥特叙事与创伤话语的深层关联,为维多利亚时代小说研究提供新的阐释路径。
Abstract: The spectral imagery in Wuthering Heights has predominantly been examined within the Gothic literary tradition in existing scholarship. Drawing on trauma theory, this paper examines the intrinsic connection between spectral writing and traumatic memory through three analytical dimensions: the manifestation, persistence, and transmission of trauma. The study demonstrates that the apparition of Catherine’s ghost embodies the temporal structure of traumatic “belated return”; that Heathcliff’s disavowal of loss and psychic encryptment constitute the underlying mechanism of spectral persistence; and that the fragile reconciliation achieved by the second generation reveals the complexity of intergenerational trauma transmission. The persistent haunting at the novel’s conclusion suggests that trauma does not disappear with narrative closure but endures in spectral form. This study aims to illuminate the deep affinity between Gothic narrative and trauma discourse, thereby offering a new interpretive approach to the study of Victorian fiction.
参考文献
|
[1]
|
Botting, F. (1996) Gothic. Routledge.
|
|
[2]
|
Van Ghent, D. (1953) The English Novel: Form and Function. Rinehart.
|
|
[3]
|
Homans, M. (1978) Repression and Sublimation of Nature in Wuthering Heights. PMLA/Publications of the Modern Language Association of America, 93, 9-19. [Google Scholar] [CrossRef]
|
|
[4]
|
桑德拉∙吉尔伯特, 苏珊∙古芭. 阁楼上的疯女人: 女性作家与19世纪文学想象[M]. 杨莉馨, 译. 上海: 上海人民出版社, 2014.
|
|
[5]
|
Meyer, S. (1996) Imperialism at Home: Race and Victorian Women’s Fiction. Cornell University Press. [Google Scholar] [CrossRef]
|
|
[6]
|
Gezari, J. (2007) Last Things: Emily Brontë’s Poems. Oxford University Press.
|
|
[7]
|
Caruth, C. (1996) Unclaimed Experience: Trauma, Narrative, and History. The Johns Hopkins University Press.
|
|
[8]
|
Freud, S. (2005) On Murder, Mourning and Melancholia (Translated by Whiteside, S.). Penguin Books Ltd.
|
|
[9]
|
Abraham, N. and Torok, M. (1994) The Shell and the Kernel: Renewals of Psychoanalysis (Translated by Rand, N.T.). The University of Chicago Press.
|
|
[10]
|
艾米莉∙勃朗特. 呼啸山庄[M]. 李晖, 译. 北京: 生活∙读书∙新知三联书店, 2022.
|
|
[11]
|
马坤. 自我的认同与回归——再读《呼啸山庄》[J]. 外国文学研究, 2003(3): 34-37, 170-171.
|
|
[12]
|
Freud, S. (1961) Beyond the Pleasure Principle (Translated by Strachey, J.). W. W. Norton & Company.
|
|
[13]
|
LaCapra, D. (2014) Writing History, Writing Trauma. The Johns Hopkins University Press. [Google Scholar] [CrossRef]
|