《达洛维夫人》的空间叙事结构研究

Study on the Spatial Narrative Structure in Mrs. Dalloway

摘要: 文章以龙迪勇空间叙事学为理论框架，挖掘《达洛维夫人》中的空间叙事维度，为解读伍尔夫现代主义叙事艺术提供新路径。文章聚焦物理叙事线索、空间意象触发的心理空间、主题–并置叙事三个层面，系统分析小说的空间建构逻辑与叙事功能。伍尔夫以大本钟的报时与伦敦街景为物理线索搭建起文学空间的骨架，以空间意象为支点触发人物心理空间，并以“社会规约”为核心主题统合克拉丽莎与塞普蒂默斯的双线索叙事，超越了传统线性叙事。其空间叙事不仅是形式创新，更构成了一种对现代社会空间的批判与挑战。龙迪勇空间叙事理论为解读《达洛维夫人》叙事特点提供了框架，也为经典文本的重释提供了中国叙事学理论的参照。

Abstract: Taking Long Diyong’s Spatial Narrative as the theoretical framework, this paper explores the spatial narrative dimension in Mrs. Dalloway and tries to provide a new approach to interpreting Virginia Woolf’s modernist narrative art. This paper focuses on physical narrative clues, psychological space triggered by spatial images, and thematic-juxtaposed narrative to systematically analyze the novel’s spatial construction logic and narrative functions. The physical clues including the chime of Big Ben and London street scenes construct the skeleton of literary space. At the same time, Woolf triggers the characters’ psychological space with spatial images as the fulcrum, and integrates the dual narrative lines of Clarissa and Septimus with the core theme of “social constraint”, which goes beyond the limits of traditional linear narrative. Woolf’s spatial narrative is not merely a formal innovation but also a critique and challenge to modern social space. Long Diyong’s spatial narrative theory provides a framework for interpreting the narrative characteristics of Mrs. Dalloway and also offers a reference of Chinese narratology theory for the re-interpretation of classic texts.