列斐伏尔表征空间理论及在《赫索格》中的特征应用

Lefebvre’s Theory of Representational Space and Its Characteristic Application in Herzog

摘要: 亨利·列斐伏尔的表征空间理论是其空间三元辩证法的核心维度之一，强调空间的主体性、情感性与象征性。本文在梳理表征空间亲历性、情感性、象征性、想象性、流动性与反思性六大核心特征的基础上，将其与《赫索格》的意识流叙事相结合，揭示二者在关注内心世界、强调非逻辑性与情感想象等方面的内在契合。通过融合论述亲历与情感、象征与想象、流动与反思三组辩证关系，分析主人公赫索格在都市、学术、乡村等不同空间中的身体感知与心理活动。进一步将赫索格的空间体验置于空间实践、空间表象与表征空间的三元互动中加以审视，探讨其意识流动与反思性思考的深层动因。

Abstract: Henri Lefebvre’s theory of representational space is one of the core dimensions of his spatial triad dialectics, emphasizing the subjectivity, affectivity, and symbolism of space. This paper, based on a review of the six key characteristics of representational space—immediacy, affectivity, symbolism, imagination, fluidity, and reflexivity—combines them with the stream-of-consciousness narrative in Herzog to reveal their intrinsic alignment in focusing on the inner world and emphasizing non-logic and emotional imagination. By integrating the discussion of three dialectical relationships—immediacy and affectivity, symbolism and imagination, fluidity and reflexivity—this study analyzes the protagonist Herzog’s bodily perceptions and psychological activities across urban, academic, and rural spaces. It further examines Herzog’s spatial experience within the triadic interaction of spatial practice, spatial representation, and representational space, exploring the underlying motivations of his fluid consciousness and reflective thinking.