生态美学视野下的家园意识——约翰·济慈诗歌中的植物描写

The Sense of Ecological Homeland from the Perspective of Ecological Aesthetics—Botanical Depictions in John Keats’s Poetry

摘要: 济慈作为英国伟大的浪漫主义诗人，其诗歌近年来在生态批评和美学方面一直是研究热点。但较少有学者从生态美学理论出发去研究他的诗作。本文主要以《秋颂》《夜莺颂》《我踮起脚站在小山上》以及《伊莎贝拉》为研究对象，从生态美学的角度分析济慈诗歌中的植物书写。“家园意识”作为生态美学的重要范畴，指的是个体通过其感官对特定场所产生的认同感和归属感。因此，从感官沉浸和心理剖析层面分析济慈诗歌，可以更好地理解和欣赏济慈诗中植物与人类互动叙事的书写模式。

Abstract: John Keats, a great British Romantic poet, has been a focal point in recent studies of eco-criticism and aesthetics. However, few scholars have explored his poetry from the perspective of ecological aesthetics. This paper focuses on To Autumn, Ode to a Nightingale, and Isabella; or, The Pot of Basil, analyzing the botanical depictions in Keats’s poetry through the lens of ecological aesthetics. The “sense of ecological homeland”, a key concept in ecological aesthetics, refers to an individual’s feeling of identity and belonging toward a specific place, evoked through sensory experience. Therefore, by examining Keats’s poetry from the perspectives of sensory immersion and psychological introspection, this study aims to enhance the understanding and appreciation of the interactive narratives between plants and humans in his works.