韩国类型文学跨文化传播的接受机制研究——以金草叶科幻作品为例

Research on the Acceptance Mechanism of Cross-Cultural Communication of Korean Type Literature—Taking Jin Caoye’s Science Fiction Works as an Example

摘要: 近年来，韩国作家金草叶的科幻小说引发广泛关注，成为韩国类型文学跨文化传播的典型案例。文章以金草叶的小说作品为研究对象，借助姚斯和伊瑟尔的文学接受理论，结合金草叶作品的文本特征、华语市场和英语世界的传播实践，以及韩国本土文学环境的变化等，探析其作品成功被海外读者接受的动态机制。研究发现：第一，金草叶作品通过开放式结局、情感留白与普遍性议题建构出较强的“召唤结构”，较易与海外读者的期待视野形成互动。第二，其跨文化传播呈现出由华语市场率先接受，再向英语世界扩展的渐进路径。第三，其海外传播效果又反向影响了韩国本土科幻出版与读者结构。研究认为，类型文学的海外传播不仅依赖版权输出，更取决于价值共鸣、译介机制与跨文化参与网络的共同作用。

Abstract: In recent years, the science fiction novels by South Korean author Jin Caoye have attracted widespread attention and become a typical case of cross-cultural dissemination of Korean genre literature. This article takes Jin Caoye’s novels as the research object, using the literary reception theory of Yao Si and Iser, and combining the textual characteristics of Jin Caoye’s works, the dissemination practices in the Chinese language market and English speaking world, as well as the changes in the local literary environment in Korea, to explore the dynamic mechanism of his works being successfully accepted by readers overseas. Research has found that, firstly, Jin Caoye’s works construct a strong “summoning structure” through open-ended endings, emotional blanks, and universal issues, making it easier to interact with the expectations of overseas readers. Secondly, its cross-cultural dissemination presents a gradual path of being first accepted by the Chinese-speaking market and then expanding to the English-speaking world. Thirdly, its overseas dissemination effect has had a reverse impact on the domestic science fiction publishing and reader structure in South Korea. This article argues that the overseas dissemination of genre literature not only relies on copyright output, but also on the combined effects of value resonance, translation and introduction mechanisms, and cross-cultural participation networks.