论毕飞宇《推拿》的听觉叙事

On the Auditory Narrative in Bi Feiyu’s “Massage”

摘要: 毕飞宇的长篇小说《推拿》以盲人推拿师群体为书写核心，深入呈现盲人群体的日常生活、情感世界与社会处境，构建出一个听觉优先的世界，让小说成为探讨听觉叙事机制的“天然样本”。从听觉叙事理论出发，音景在小说中不仅充当声音幕布，更以“占据”空间的方式完成对人物行为的规训；盲人群体通过感官代偿与延伸实现主动性的聆察，以此完成认知与世界的连接；叙述者借助自由间接引语实现人物声音与叙述者声音的交织，并采用将心理感受转化为“拟声”的修辞策略。三者共同构建了一套完整的听觉叙事体系，再现盲人群体的生存经验与内心世界。

Abstract: Bi Feiyu’s novel “Massage” takes the blind tuina master group as the writing core, deeply presents the daily life, emotional world, and social situation of the blind group, and constructs an auditory priority world. The novel has become a “natural sample” to explore the auditory narrative mechanism. Starting from the auditory narrative theory, soundscape not only acts as a sound curtain in the novel, but also completes the discipline of character behavior in the way of “occupying” space. The blind group realizes active listening through sensory compensation and extension, so as to complete the connection between cognition and the world; the narrator uses free indirect speech to realize the interweaving of the character’s voice and the narrator’s voice, and adopts the rhetorical strategy of transforming psychological feelings into “onomatopoeia.” The three together build a complete auditory narrative system to reproduce the survival experience and inner world of the blind group.