|
[1]
|
威廉∙吉布森. 神经漫游者[M]. Denovo, 译. 南京: 江苏凤凰文艺出版社, 2013: 7, 30, 31, 148, 156, 203, 244, 275, 294, 295, 302, 323, 324.
|
|
[2]
|
刘晓华. 技术控制论的梦魇——解读威廉∙吉布森科幻小说《神经漫游者》[J]. 浙江师范大学学报, 2016, 41(1): 35-40.
|
|
[3]
|
Cavallaro, D. (2000) Cyberpunk and Cyberculture: Science Fiction and the Work of William Gibson. The Athlone Press, London, 72.
|
|
[4]
|
Jones, C.G. (2014) Stealing Kinship: Neuromancer and Artificial Intelligence. Science Fiction Studies, 1, 70-71. [Google Scholar] [CrossRef]
|
|
[5]
|
Grillmayr, J. (2014) Posthumanism(s). In: McFarlane, A., Murphy, G.J. and Schmeink, L., Eds., The Routledge Companion to Cyberpunk Culture. Routledge, New York, 273-274. [Google Scholar] [CrossRef]
|
|
[6]
|
Haraway, D. (1991) Simians, Cyborgs and Women: The Reinvention of Nature. Routledge, New York, 142.
|
|
[7]
|
蒋怡. 增能辅助[J]. 外国文学, 2020(5): 96-107.
|
|
[8]
|
Deleuze, G. and Felix, B. (1972) Anti-Edipus. University of Minnesota Press, Minneapolis, 43.
|
|
[9]
|
陈世丹. 后人文主义[J]. 外国文学, 2019(3): 95-104.
|
|
[10]
|
周敏. 人机共同体想象: 以《像我一样的机器》为例[J]. 外国文学研究, 2020(3): 73-86.
|
|
[11]
|
斐迪南∙滕尼斯. 共同体与社会[M]. 林荣远, 译. 北京: 商务印书馆, 1999: 54, 58, 62-63.
|
|
[12]
|
王一平. 赛博朋克小说中的赛博空间与新生命形态: 论吉布森的“蔓生三部曲” [J].外国文学, 2020(3): 15-26.
|
|
[13]
|
何敏. 身体•生态•人性: 《神经漫游者》中的后人类主题[J]. 湖北经济学院学报(人文社会科学版), 2020(2): 106-113.
|
|
[14]
|
郭雯. 一场身份诉求之旅: 《神经漫游者》的赛博空间叙事与记忆建构[J]. 外国文学研究, 2020, 42(1): 149-158.
|
|
[15]
|
Goicoechea, M. (2014) Bruce Sterling: Schismatrix Plus. McFarlane, A., Murphy, G.J. and Schmeink, L., Eds., The Routledge Companion to Cyberpunk Culture. Routledge, New York, 30.
|
|
[16]
|
王亚芹. 后人类主义与身体范式的美学思考[J]. 山东社会科学, 2020(5): 98-104.
|
|
[17]
|
Gibson, W. and Molly, W. (2020) In William Gibson’s New Novel, AI Is Actually the Good Guy.
https://www.marketplace.org/shows/marketplace-tech/in-william-gibsons-new-novel-ai-is-actually-the-good-guy/
|