基于CiteSpace的国内外视听翻译与接受研究

Research on Audiovisual Translation and Reception at Home and Abroad Based on CiteSpace

摘要: 视听翻译与接受研究是文化产业国际传播的重要组成部分，通过对近年来国内外视听翻译与接受研究的现状进行梳理与分析，有助于发现该领域的发展趋势，为我国视听翻译与接受研究提供新思路。本文以中国知网核心(CNKI)和Web of Science (WoS)核心期刊作为数据源，采用科学计量可视化软件CiteSpace对2012~2022年间国内外的视听翻译和接受研究相关文献进行分析。研究结果表明：1) 在国内外视听翻译与接受研究领域已有一定影响力，但尚未形成有影响力的国际学术共同体；2) 研究主题聚焦于影视作品、翻译及接受，涉及影视翻译和接受的理论建构、影视作品翻译和接受的影响因素及影响效应三个方面；3) 国内外研究热点和前沿分别为影视作品及其翻译、影视作品的译介及其相关研究。因此，未来我国视听翻译与接受研究应加强理论建构以及跨文化视域下的中国影视作品译介，同时也应关注观众对电影及译介影响效应等方面。

Abstract: Audiovisual translation and reception study is an important part of the international communication of cultural industry. By sorting out and analyzing the current situation of audiovisual translation and reception study at home and abroad in recent years, it is helpful to find the development trend of this field and provide new ideas for audiovisual translation and reception study in China. In this paper, the CNKI and Web of Science (WoS) are used as the data sources, and the scientific metrology visualization software CiteSpace is used to analyze the audiovisual translation and reception study at home and abroad from 2012 to 2022. The results show that: 1) It has certain influence in the field of audiovisual translation and reception at home and abroad, but no influential international academic community; 2) The research theme focuses on the film and television works, translation and reception, involving the theoretical construction of the film and television translation and reception, the influencing factors and influencing effects of the translation and reception of the film and television works; 3) The research topics focus on the translation and reception of film and the research hot spots and frontiers of domestic and foreign research, the translation of film and television works, the influence and related research on film and translation. Therefore, in the future, the audiovisual translation and reception study in China should strengthen the theoretical construction and the translation and introduction of Chinese film and television works under the cross-cultural perspective, and also pay attention to the audience’s influence on film and translation.