论莫言《红高粱家族》的复调式叙事

A Study on the Polyphonic Narrative in Mo Yan’s “Red Sorghum”

摘要: “复调”作为莫言小说创作的一种重要叙事模式，彷佛血液一样流淌在他每部作品中。小说《红高粱家族》通过对复调式叙事的娴熟运用，在“狂欢式”写作中达到了“叙述的极限”，创造出“多声齐鸣”的文本效果，突破了传统独白型小说的叙事模式，建构了一个怪诞、野性的狂欢话语世界，书写着一个个极具多元意识的生命个体。文章以巴赫金的复调理论对莫言的小说《红高粱家族》进行观照，通过挖掘小说中复调式叙事的表现，考察其艺术价值，并对该手法的运用进行追本溯源，探究作者的真实思想意图。

Abstract: “Polyphony”as an important narrative mode in Mo Yan’s novel creation, flows like blood in each of his works. The novel “Red Sorghum” achieves the “limit of narration” through the skilled use of polyphonic narrative, creating a text effect of “multiple voices in harmony”. It breaks through the narrative mode of traditional monologue novels, constructs a bizarre and wild carnival discourse world, and portrays individuals with diverse consciousness. This paper uses Bakhtin’s polyphonic theory to observe Mo Yan’s novel “Red Sorghum”, searches the performance of polyphonic narrative in this novel, analyzesits artistic value, and traces the use of this technique back to the origin, explores the author’s true ideological intention.