大运河主题布贴画创作及其在家居装饰中的应用
Creation of Grand Canal Theme Cloth Stickers and Its Application in Home Decoration
摘要: 布贴画作为一种富有创造力的艺术形式,经历了漫长的历史沉淀,经过不断发展完善,再到现代的创新突破,展现出了丰富多彩的艺术风貌。大运河所蕴含的丰富历史文化为艺术创作提供了源源不断的灵感,赋予作品更为深厚的内涵与价值。本文在传统布贴画的基础上进行创新,结合大运河主题,将废弃布艺材料有效转化为有价值的产品,创造出具有地域特色的家居装饰品。
Abstract:
As a creative art form, cloth stickers have experienced a long historical accumulation, through continuous development and improvement, and then modern innovation and breakthrough, showing a colorful artistic style. The rich history and culture of the Grand Canal provides a constant source of inspiration for artistic creation, giving the works more profound connotation and value. The purpose of this paper is to innovate on the basis of traditional cloth stickers, to combine with the Grand Canal as the theme, wasted fabric and to create home decorations with regional characteristics by effectively transforming fabric materials into valuable products.
参考文献
|
[1]
|
吴山. 中国工艺美术大辞典[M]. 南京: 江苏美术出版社, 2011: 801.
|
|
[2]
|
秦瑾. 民间布贴艺术的历史与现状[J]. 黑龙江科技信息, 2010(7): 32+230.
|
|
[3]
|
王树村. 民间布艺[M]. 北京: 中国轻工业出版社, 2007: 2, 11.
|
|
[4]
|
李原. 陇东民间布贴画的发展和传承[J]. 大众文艺, 2019(8): 10.
|
|
[5]
|
张轶, 杨筱敏. 文旅融合背景下非遗手工艺的文化构成及设计转换[J]. 艺术百家, 2022, 38(6): 130-137.
|
|
[6]
|
张新沂, 陈旭. 天津大港布贴画的工艺美学研究[J]. 天工, 2021(6): 81-83.
|
|
[7]
|
周红检. 布贴画制作技术[J]. 农村新技术, 2002(7): 35-36.
|
|
[8]
|
毛金莲. 试探华池县民间布贴画艺术文旅融合发展思路[J]. 参花(上), 2021(2): 141-142.
|