岩刻设计风格探微——以喇嘛洞召为例

Exploration of Rock Carving Design Style—Taking Lamadong Temple as an Example

摘要: 喇嘛洞召岩刻的雕刻艺术风格，其题材丰富且研究价值较高、具备显著的时代文化特征，为研究明清时期呼和浩特地区岩刻艺术风格设计方面的相关内容提供了精致的典范。从两次的实地调查来看，此地岩刻以造像、文字、符号为主要内容，雕刻方法以线刻和浅浮雕为主。该地的岩刻也深受当时的社会文化影响，使其岩刻艺术呈现了自身特点和文化特征，展现了明清时期呼和浩特地区岩刻艺术的瑰丽，也是本地区艺术风格设计不断发展的具体体现。

Abstract: The artistic style of Lamadong temple rock carvings, its rich subject matter and high research value, has significant cultural characteristics of the times, and provides a fine model for the study of the related content of the style design of rock carvings in Hohhot during the Ming and Qing dynasties. According to two field investigations, the main contents of rock carving here are statues, characters and symbols, and the main carving methods are line carving and bas-relief carving. The rock carvings in this area were also deeply influenced by the social culture at that time, so the rock carvings showed their own characteristics and cultural features, showing the brilliance of the rock carvings in Hohhot during the Ming and Qing Dynasties, and also the concrete embodiment of the continuous development of the artistic style design in this area.