《去吧，摩西》与《掠夺者》的文本互涉解读

The Intertextual Interpretation in William Faulkner’s Go Down, Moses and The Reivers

摘要: 文章试图从三个层面探讨美国南方作家威廉·福克纳的《去吧，摩西》和《掠夺者》的文本互涉的策略。首先，从文本间指涉来看，作为“物”的大森林的变迁实际上反映出南方文明秩序的嬗变，福克纳明在写物的变化，却直指南方人物命运和文明的堕落；再者，重复出现的人物形象隐喻福克纳的书写跨越时间，达成两部作品的“复调”，同时，对于女性身份的建构颠覆了之前福克纳作品的女性形象，凸显互文改写的效果；最后，通过两部作品探讨对于福克纳时间哲学的把握，寄托了福克纳对于南方的怀旧之感。

Abstract: This paper explores the intertextual strategies between Go Down, Moses and The Reivers by William Faulkner, a prominent Southern American writer, from three perspectives. First, from the standpoint of textual reference, the transformation of the wilderness as an “object” reflects the evolution of Southern social order. While Faulkner ostensibly depicts changes in the physical landscape, he ultimately critiques the decline of Southern characters and civilization. Second, recurring character archetypes signify Faulkner’s narrative transcendence of time, creating a “polyphonic” dialogue between the two works. Additionally, the reconstruction of female identity subverts traditional portrayals in Faulkner’s earlier works, highlighting the effects of intertextual rewriting. Finally, through these two novels, the paper examines Faulkner’s philosophy of time, which embodies his nostalgic longing for the American South.