海德格尔视角下的《帕莫·艾德里奇的三处圣痕》——技术的“阴影”与人性的“微光”

The Three Stigmata of Palmer Eldritch through Heidegger’s Lens —The “Shadow” of Technology and the “Glimmer” of Humanity

摘要: 菲利普·迪克的小说《帕莫·艾德里奇的三处圣痕》，通过刻画一个被技术与资本主义合谋垄断的世界，与海德格尔存在主义技术哲学形成深度对话，表现人类在“促逼源”的作用下利用技术将万物包括自身都变成“有用”的“持存物”，并组成一个“物系统”的过程，这一过程也可以理解为“集置”或海德格尔认为的技术的本质，它部分地遮蔽了人和万物的存在本身。这就在小说中引发了对“技术”和“人”的本质的思考，最终研究通过文本细读发现，在小说描绘的布满黑暗与虚无的世界底色下，暗含着后现代主义作家迪克的人本主义色彩，揭示出他想要对后人类时代的人们传达的一个积极信念：即使面对技术的过度发展和神秘未知生物时仍然应对人类自身抱有坚定信心。

Abstract: Philip K. Dick’s novel, The Three Stigmata of Palmer Eldridge, forms a deep dialogue with Heidegger’s existentialist philosophy of technology through the portrayal of a world monopolized by the partnership of technology and capitalism, showing that human beings, under the influence of “Challenge”, use technology to turn everything, including themselves, into “useful” “Standing-reserves” and form a “system of objects”. This process can also be interpreted as “Enframing” or what Heidegger sees as the essence of technology, which partially obscures the real “being” of people and things. This triggers a reflection on the nature of “technology” and “human being” in the novel, and ultimately, through a close reading of the text, the article finds that underneath the darkness and emptiness of the world depicted in the novel, there is a hint of the humanistic colour of the postmodernist writer Dick, revealing the message he wants to convey to the people in the post-human era: that even in the face of technological overdevelopment and mysterious and unknown creatures, we should still have a strong faith in our human beings.